![]() The trios tight interplay and dense yet direct layers of humid heat laid the groundwork for what was to come, proving that the group had formidable chemistry as an operating unit.Įven amidst Hosonos massive discography, Paraiso remains an unimpeachable highlight. Hosono had been part of a diverse collective of seasoned musicians in the Japanese scene who referred to themselves as Tin Pan Alley. ![]() ![]() While each members discography is vast and deserving of its own respective feature, over the next few pages Ill investigate some of the key works made during YMOs initial tenure as performers and producers, beginning in 1978 and ending in 1985. This smooth, cosmopolitan pop music then led directly to the vibrant technopop that Hosono brought to the top of the Japanese charts with the help of powerhouse drummer and singer Yukihiro Takahashi (previously a veteran of glam rockboogie group Sadistic Mika Band) and a talented young university student named Ryuichi Sakamoto, who was then using his keyboard talents as a session musician, producer, and arranger for a number of city pop artists in Hosonos orbit. ![]() That same desire for a strong cultural pop identity led to the creation of a subverted take on the styles of southern RB, northern soul, and jazz fusion in Hosonos next project Tin Pan Alley, which fused those sounds with Hawaiian and Okinawan tropical flourishes in a genre dubbed city pop.
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